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During an interview with DJ Danny Sun, Gregory said he was the 9th sax player to attempt the riff. Gregory said Michael's secretary had phoned him up midday and asked him to give the solo a try.[32][better source needed]
With 'Careless Whisper' I remember EXACTLY where it first came to me, where I came up with the sax line. I can remember very vaguely where I was when I wrote things after Wham! got off the ground, but with 'Careless Whisper' I remember exactly the time and place.
"When I was twelve, thirteen, I used to have to chaperone my sister, who was two years older, to an ice rink at Queensway in London. There was a girl there with long blond hair whose name was Jane.
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"She had moved in right next to where I used to stand and wait for my next-door neighbour, who used to give me a lift home from school. And one day I saw her walk down the path next to me and I thought – now where did SHE come from? She didn't know it was me.
That same day we signed it all away. But you can never really know what you are capable of, you can never really have that foresight."[22]
"It was a few years later and I looked a lot different. Then we played a school disco with [his band] The Executive and she saw me singing and decided she fancied me.
By this time she was that much older and a big buxom thing – and eventually I started seeing her. She invited me in one day when I was waiting for my lift and I was...in heaven."
.. The whole time I thought I was being cool, being this two-timer, but there really wasn't that much emotion involved. I did feel guilty about the first girl – and I have seen her since – and the idea of the song was about her.
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I said 'it's great. Jerry's done a great job on it', and for the first time since we'd started I was blind to what was going on because the song was already two and a half years old and I just did not have a clue about where else I could take it. Eventually I just thought, 'sod this. I'm going to go in and do it as if it had never been done before with the musicians we normally use and see what happens.' The track was much better because I was relaxed and I think that our musicians did a much better job than the Muscle Shoals section.[29] After hiring and firing several other sax players, for which the BBC characterized as struggling to play all the notes with "the right amount of fluidity and still breathe,"[30] Michael eventually heard what he was looking for from Steve Gregory.[31]
Cash Box said the song illustrates Wham!'s "versatility and range" when compared to the previous single "Wake Me Up Before You Go-Go", calling this song "soft, beguiling and memorable" and saying that it features "a highly romantic instrumental arrangement as well as an extremely well-written melody and lyric".
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Although George Michael co-wrote the song with his Wham! partner Andrew Ridgeley when they were just 17, it stands out as a much more mature and introspective piece than their earlier pop hits.